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Bobby Womack " The Bravest Man Of The Universe

You could say: “nothing new, the album was already released in spring 2012”. Yes, that's true, but Bobby Womack hasn't released a new album for over 18 years, so we think it's fair to report on it years later, because Bobby Womack isn't just anyone:

he was one of the great voices in soul and R&B history. Born in Cleveland, Ohio in 1944, he began his career as a guitarist with Sam Cooke and later made a name for himself as a solo artist. Womack was known for his soulful songs, his distinctive voice and his authentic way of telling stories. Classics such as “Across 110th Street” or “If You Think You're Lonely Now” show his extraordinary talent. The Rolling Stones' first hit was written by him, which earned him a place in the Rock and Roll Hall of Fame. The creative break was only interrupted by chance by Blur frontman Damon Albarn, because he hired Bobby Womack as a guest singer for two songs for the Gorillaz album “Plastic Beach”. The work was so fruitful that the co-production was enough for an entire album. So who is “the bravest man of the universe?

In memory of Bobby Womack: deceased on June 27, 2014


Biosphere

Geir Jenssen (* 1962) is a musician and photographer from Tromsø, known since 1991 primarily under the name Biosphere. The atmospheric Norwegian landscape forms a source of inspiration for his timeless ambient soundscapes.

Biosphere is considered the mastermind of ambient techno and arctic ambient. His track "Novelty Waves" was used for a Levis advertising campaign in 1995. His 1997 album "Substrata" was chosen by www.hyperreal.org as the best ambient album of all time. With numerous releases, he established himself as one of the most important artists and pioneers of ambient music today. His most recent work, N-Plants (2011), deals with the futuristically designed nuclear power plants of Japan's post-war economic miracle. Originally intended as a soundtrack to highlight the fragility of the power plants, the album was put in a new context by the subsequent earthquakes and nuclear disaster at Fukushima. The album received critical acclaim and reconnects with classic Biosphere releases with the warm soundscapes that meet and cold moods.

James Blake - the Wilhelm Screen

He was said to be a new sphere of pop or a milestone of dubstep. No matter what all these pigeonholes are called. Music speaks for itself!

But what James realized is that less is more, because musical breaks are much more meaningful than “overdone” arrangements. Miles Davis recognized this decades ago! James Blake is a British-born producer and songwriter who has been known for his emotional depth and innovative sound since the early 2010s. His style combines dubstep, soul, R&B, classical and experimental pop - sometimes minimalist, sometimes orchestral, but always with an unmistakable, melancholy voice. His self-titled debut album was released in 2011 and was celebrated by critics. Songs such as “Limit to Your Love” (a cover of Feist) and “The Wilhelm Scream” made him famous worldwide. Later albums show his development as a producer, including collaborations with artists such as Beyoncé, Frank Ocean, Rosalía and Kendrick Lamar.

Breton - The Commission

Breton's first sign of life was the 2010 EP “Counter Balance” on the Hemlock Recordings label of dubstep producers Untold, where James Blake also released.

Breton then landed on Fat Cat Records and thus became label mates with Animal Collective and Sigur Ros, bands who, like Breton themselves, place individuality above genre boundaries. Unfortunately, it has to be said that Breton was a London band, because they no longer exist. With their song “The Commission” from that year, they left a lasting impression on the electronic indie scene. The track combines dark electronica, driving beats and cinematic soundscapes - typical of Breton's unique mix of music, art and film. Her songs often sounded like soundtracks to urban dramas: intense, experimental and visually inspired. The band was founded by Roman Rappak and saw itself more as a multimedia collective than a classic band. Their debut album “Other People's Problems” was as exciting as it was unusual - produced in a converted bank building in London. Despite their short period of activity, Breton remains an insider tip with a lasting influence - a band that was ahead of its time.

Electronic Circus - direct Lines

A song that has been forgotten! Chris Payne (ex Gary Numan), Paul Johnson Roger and Michael J. Stewart recorded a (single) song called “Direct Lines” in 1981.

The song has stood the test of time amazingly well! Skillfully arranged synths skillfully tune into each other in the pitch, as was customary at the time. There is also a (Fairlight?) piano accompanied by a voice that takes some getting used to at first, but turns out to be a success as you listen. Electronic Circus was a British synthpop project that made a charming contribution to the burgeoning electronic music scene in 1981 with the song “Direct Lines”. The track is a prime example of early New Wave: analog synthesizers, rhythmic sequences and a certain futuristic minimalism, as we know it from the pioneering days of Human League or John Foxx. “Direct Lines” was the band's only major release, but the single developed into a true cult classic among collectors over the years. After Electronic Circus, Chris Payne continued to work as a composer and producer - including in the field of classical music and film music. The song from 1981 has an avant-garde feel to it. Video: Summer with Monica - Ingmar Bergman 1952